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#AVID MEDIA COMPOSER 8.0 UPDATE#
#AVID MEDIA COMPOSER 8.0 UPGRADE#
#AVID MEDIA COMPOSER 8.0 FULL#
#AVID MEDIA COMPOSER 8.0 PRO#

The new version empowers broadcasters and post facilities to extend collaborative productions beyond the four walls of a facility – enabling customers to consolidate production operations as well as manage and contribute to projects when working remotely.

#AVID MEDIA COMPOSER 8.0 UPDATE#

With more than 600 Interplay sites deployed worldwide, Avid has enhanced its industry-leading production asset management solution by delivering the most significant update of the product to date: Interplay 2.0.

Production Asset Management ‘ Extending Flexible Anytime, Anywhere Collaboration

#AVID MEDIA COMPOSER 8.0 PRO#

New Production Suite updates: Include new versions of Boris Continuum Complete, Sorenson Squeeze and SmartSound SonicFire Pro to provide customers with more creative possibilities and media delivery options.

#AVID MEDIA COMPOSER 8.0 FULL#

Customers can now directly access GFCAM media, including full metadata, and begin their work immediately without transcoding, copying or re-wrapping the material.

Avid Media Access (AMA) enhancements: Delivers native support for the popular Ikegami GFCAM 100 mb/s format.

Mix and Match capabilities: Provides customers with the flexibility to use media sources of different frame rates and resolutions (SD and HD) in the same timeline – eliminating external transcoding and time-consuming frame-rate conversions.

Mac support for Pro Tools Video Satellite: Offers customers the ability to work with Mac or PC when using Media Composer as a video satellite with Pro Tools systems to deliver frame-accurate, synchronized and full resolution monitoring of video.

Panasonic AVC-I encoding support: Allows customers to deliver final masters in Panasonic’s AVC-I format while working natively in the Avid editing system from acquisition to final delivery.

Monitoring HD and SD cross-and-down converted formats from 1080p24 masters: Enables customers using Mojo DX or Nitris DX hardware to view HD material on an SD monitor, eliminating the need to incur additional hardware costs.

Improved Stereoscopic 3D editing: Enables customers to view 3D material side by side in addition to over/under – ensuring greater accuracy of editing decisions and a wider choice of cost-effective monitors for stereoscopic viewing.

Media Composer (named the preferred tool for acclaimed editors by the American Cinema Editors (A.C.E.)), Symphony and NewsCutter software now offer customers a wide array of new features designed to streamline the production process including: $300 for a year is not so much but it could easy become $600 for a year like the Subscription License.Industry Standard Editing Tools ‘ Fast, Reliable, More Native Formats Now I have to pay every year just to make sure I wont loose the system I have already paid for.

#AVID MEDIA COMPOSER 8.0 UPGRADE#

Till now I had the choice of when to upgrade and which upgrade I need and want. If I skip a year it does mean I will lose my ability to upgrade as before.

I have already paid Full money for Media Composer and Symphony. Short term this could be good for you! Say you need one feature from a new release for a job then subscribe for one month ($80?) and then carry on making money with you older version once that specific feature is no longer required. Or you can move to subscription for your second (always up to date) Avid. However it will be stuck with whatever update was last released before your $299 "support" contract expired.īut if you ever want a newer version you have to but a new perpertual licence ($1299) plus a Symphony option ($749) if you want Symphony. Ut what will happened next year if I don't pay for another year,